“Silence has texture. Strength doesn’t need to speak. True design emerges when form and material align, when every surface serves purpose. Matte becomes the voice of restraint, shadow becomes structure. In the language of black, there’s no excess, only the weight of intention.”

The art direction focused on a monochromatic language defined by black on black contrast and elemental composition. Every surface was designed to feel tactile, from volcanic textures to the soft sheen of brushed glass. The aim was to capture stillness and presence, a brand that exists in silence, yet dominates through form and weight.

Photography and 3D visualization were approached like sculpture, treating light as material. Shadows reveal as much as they hide, defining contours with restraint. The visual tone echoes high end minimalism found in architectural spaces and modern craft, honest, bold, and physical.

Rugged Elegance Perfume
Black lotion bottle on dark rocks
Black cosmetic jar on dark stone surface
Close-up of black jar over textured rocks
Dropper bottle placed against stone backdrop
Black lotion bottle on dark rocks
Black cosmetic jar on dark stone surface
Close-up of black jar over textured rocks
Dropper bottle placed against stone backdrop
Black lotion bottle on dark rocks
Black cosmetic jar on dark stone surface
Close-up of black jar over textured rocks
Dropper bottle placed against stone backdrop
Obsidian Essence title in white serif typography
Obsidian Essence logo mark with letter O and E
Obsidian Essence title in white serif typography
Obsidian Essence logo mark with letter O and E
Obsidian Essence title in white serif typography
Obsidian Essence logo mark with letter O and E
Hand holding black dropper bottle in silhouette
Woman holding bottle near face in soft light
Monochrome profile portrait of bald model
Side profile of male model in grayscale lighting
Hand holding black dropper bottle in silhouette
Woman holding bottle near face in soft light
Monochrome profile portrait of bald model
Side profile of male model in grayscale lighting
Hand holding black dropper bottle in silhouette
Woman holding bottle near face in soft light
Monochrome profile portrait of bald model
Side profile of male model in grayscale lighting

Photo Direction and Issue Focus

When I started working with the magazine, it had an established template that the editorial team was committed to maintaining. Within that framework I wanted to suggest changes to make the publication feel more dynamic and engaging.

I polled colleagues, faculty and alumni about whether they could identify any particular previous issues. The one reliably remembered was "the women's issue," featuring all-female story subjects.

So with my first issue as art director, I successfully pitched two changes: a dramatic redirection away from the strict posed headshot photos throughout every issue and a magazine-wide topical focus. I hired photographers with the skills I needed to capture action oriented images that grabbed attention and visually told our stories. I worked with editorial to identify broad topics to focus storytelling in each issue. This was the result:

Photo Direction and Topics

When I started working with the magazine, it had an established template that the editorial team was committed to maintaining. Within that framework I wanted to suggest changes to make the publication feel more dynamic and engaging.

I polled colleagues, faculty and alumni about whether they could identify any particular previous issues. The one reliably remembered was "the women's issue," featuring all-female story subjects.

So with my first issue as art director, I successfully pitched two changes: a dramatic redirection away from the strict posed headshot photos throughout every issue and a magazine-wide topical focus. I hired photographers with the skills I needed to capture action oriented images that grabbed attention and visually told our stories. I worked with editorial to identify broad topics to focus storytelling in each issue. This was the result:

AfterBefore
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After

Visual and Editorial Redesign

Building on these successful marginal changes, the team conducted a series of audience focus groups and comparative research to commit to a full redesign of Inventing tomorrow. While the audience of scientists and engineers continued to value detail and specificity, they responded positively to the engaging photos but were overwhelmed by some of the long-form features. We decided the whole magazine would pivot to prioritize larger, attention-grabbing images and illustrations, and the editorial would favor shorter, punchier stories peppered throughout with scannable facts and numbers. The first redesigned issue received a strong, positive response.

AfterBefore
Before
After